If you have spent any real time in skincare communities in the last few years, you will have noticed that the conversation around retinol has quietly but significantly shifted, not away from it exactly, because retinol remains the most clinically validated anti-aging ingredient in dermatology and nobody serious about skin is suggesting otherwise, but toward a growing and genuinely complicated conversation about who retinol actually works for and who it leaves behind.
When Venus Williams said on the morning of May 4 that co-chairing the Met Gala felt "really full circle," she was not being vague. By the time she arrived at the Metropolitan Museum of Art that evening in a Swarovski crystal mesh gown built from a painting of herself that hangs in the permanent collection of the Smithsonian National Portrait Gallery, the full circle she was describing had become literal.
Diya Mehta Jatia is a fashion consultant and stylist whose professional practice is built around shaping visual identity and guiding design direction for high-end fashion narratives. She works behind the scenes, which is precisely why her choices carry a particular weight.
Gwendoline Christie, best known globally for playing Brienne of Tarth in HBO's Game of Thrones, has been thinking about masks for a long time. She has been thinking about height, femininity, the versions of ourselves we perform for the world, and the gap between the face we show and the one we feel we have.
There is a relationship between art and fashion that has been described so many times and in so many ways that the description itself has become a kind of reflex, something reached for automatically whenever a designer name-drops a painter or a museum stages a collaboration with a luxury house or a runway show is held in a gallery space with catalog essays written by curators who are very careful about how much of their credibility they are lending and to whom.
Tucked inside Khotachi Wadi, one of Mumbai's few surviving heritage villages with Portuguese-British roots, 47A is currently showing Shadows of Empire, a two-person exhibition featuring Kolkata-based artist Jit Chowdhury and Mumbai-based photographer and painter Kaushal Parikh. The show opened on March 21st and runs until April 19th. The two artists come from entirely different backgrounds and work in entirely different mediums, which is precisely what makes the pairing inter